By Debra Kang Dean, Spalding School of Writing Poetry Faculty
For any circuit the electrical current is directly proportional to the voltage and is inversely proportional to the resistance.
As a consequence of my bewilderingly high scores in the electronics section of the battery of tests I had to take before enlisting in the Air Force, I was recruited into the field of ground radio repair. It turned out to be a poor match since I never really got beyond being able to read schematics; I console myself by believing that one need also have mechanical sense to do well, and my scores on that part of the test had been dismal.
By Robin Lippincott, Spalding School of Writing Fiction & Creative Nonfiction Faculty
is my third attempt at writing this blog post, which gives you some context for
what follows. The first two efforts were completely different and unrelated, on
subjects having nothing to do with this one. Finally, I realized there was
really only one thing I wanted to write about here; it was so obvious that I’d
missed it entirely.
EXCITING NEWS & UPDATES FROM STUDENTS, ALUMNI, FACULTY & STAFF!
Jason Cooper (PW) launched his new theatre company, The Chicken Coop, on September 27th here in Louisville, Kentucky. More than just a theatre company, The Chicken Coop strives to provide a variety of entertainment offerings and to create a place for artists and audiences to come together to celebrate, be inspired and simply have a great time.
Spalding University’s Festival of Contemporary Writing, the state’s largest fall-spring reading series, takes place Saturday, November 16, through Friday, November 22, with faculty and alumni of the low-residency programs of Spalding’s School of Creative and Professional Writing. Bestselling graphic novelist Gene Luen Yang headlines the festival as Distinguished Visiting Writer. Yang is the author of the Printz Award-winning American Born Chinese and the National Book Award Finalist Boxers & Saints, a boxed set of graphic novels. Yang has served as a National Ambassador for Young People’s Literature and is the recipient of a MacArthur “Genius” Fellowship.
By Eleanor Morse, Spalding School of Writing Fiction Faculty
Ocean Vuong, a soft-spoken and brilliant Vietnamese-American poet and fiction writer and a 2019 recipient of a MacArthur fellowship, said, “Often we demand of the American novel to be cohesive, a monolithic statement of a generation, but having grown up post-911, cohesion was not part of my generation’s imagination, nor our language, nor our self-identity, and I felt if I were to write my version of an American novel, it would have to look more like fragmentation.
Plastic is in the news a lot lately. We’ve all seen the image of the sea turtle with the plastic straw embedded in its nostril, or we’ve read about microscopic plastic particles being found at every level of the food chain. According to the Ocean Conservancy, 8 million metric tons of plastics enter our oceans every year.
By Kathleen Driskell, Chair, Spalding’s School of Creative and Professional Writing
Here’s something I’ve learned. Nearly
everybody thinks they have a picture book in them. Another thing I’ve learned?
To underestimate the expertise needed to write a good picture book is foolish. At
Spalding’s Fall 2019 SCPW residency in Louisville, we’ll give our writers a chance
to explore picture book practice during our cross-genre venture into Writing
for Children and Young Adults.
By Julie Brickman, Spalding School of Writing Fiction Faculty
Years ago, when I was writing my first novel, I got into a new relationship. For the first few weeks, it colonized my mind and I parsed every word, gesture and intuition for meaning. One night, deep in dreamland, I got a phone call. It was Kendra Quillan, my protagonist. “Where are you?” she said, and hung up.
By Katy Yocom, Spalding School of Writing Associate Director
Spalding University’s School of Creative and Professional Writing welcomes acclaimed television and film writer and producer Bruce Marshall Romans to the faculty. Romans, whose television writing and producing credits include Hell on Wheels and Marvel’s The Punisher, will deliver a lecture about writing for TV at the upcoming November residency before taking on full teaching duties with the Spring 2020 semester, when he will lead a writers’ room workshop at the May residency and mentor screenwriting students in independent study.
Have you ever turned the last page of a good book and wished you could sit down and have a meaningful conversation with the author? I had just finished reading an advance copy of Three Ways to Disappear by Katy Yocom and decided to act on that impulse.