By SENA JETER NASLUND, Founding Program Director
So many of you I did not get to hug and squeeze whom I wished to thank for your thanks, at SenaFest, the marvelous surprise occasion, conceived by my partner-in-crime Karen Mann to mark my retirement as Founding Program Director! Continue reading “From Sena, with Love”
By JULIE BRICKMAN, SPALDING MFA FICTION FACULTY
On August 23, 2017, the author Susan Vreeland died. She was 71 years old and died from the consequences of the illness that launched her mind into composing her best work. Continue reading “Goodbye, Darlin’: A Tribute to a Great Writer.”
Crystal Wilkinson, Spalding MFA Fiction Faculty
If you are a writer and are looking for magic, something to propel your forward, the answer is simple. Pssst–come closer. Closer.
Continue reading “Gathering Magic: How to Read Like a Writer”
Nancy McCabe, Spalding MFA Faculty, Fiction
My first semester as an MFA student, my classmates often strolled into workshop, flung newly printed manuscripts onto the seminar table, and said, “Oh, this is just a rough draft.” In two cases, a few weeks later my classmates sold those “rough drafts” to The Atlantic. Continue reading “Beauty in Imperfection”
Katy Yocom, Associate Administrative Director, Spalding University MFA
An MFA isn’t a degree like law or engineering, where you’re pretty sure you’re launching yourself into a lucrative career. Most people I know pursue an MFA because they have an unshakable passion for writing, because they feel driven—sometimes in the middle of their lives—to step off the expected path and do this thing that doesn’t make any sense at all, except that they can no longer pretend it’s okay not to do it. Continue reading “Bang for your buck: Cost, affordability, and what to look for when shopping for an MFA program”
At the MFA residency this fall, we are honoring Sena Jeter Naslund as she retires from the MFA program at the end of the year and turns her attention to new creative projects. Leading up to the residency, I have been thinking not only about what’s brought us to this point in the MFA program but I have also been anticipating the future! Continue reading “Looking Back on the Brink of Looking Forward”
By Katy Yocom
With summer residency in Scotland behind us, it’s time to look ahead to special sessions on the slate for the Fall 2017 Spalding MFA residency, November 10-19 in Louisville. Continue reading “A Sneak Peek at the Fall 2017 Residency”
Neela Vaswani, Spalding MFA Faculty, Fiction
I would venture that most writers find reading healing. Find solace in words and craft and the quiet of turning pages. I usually feel that way. But at various points in my life, when I’ve been in need of healing—from trauma or loss or illness—I’ve found myself incapable of reading. I can’t get my eyes to move horizontally across sentences. And the literary fiction I normally find comforting feels inedible. Continue reading “Books for the Dented Self”
Seeing your name in print is exciting. Seeing your name in print beside your published work is even better. But where to start? There are so many journals in existence, deciding which one is the best fit for your work can feel like drinking from a firehose. There are reading periods and closed reading periods and themed issues and page count guidelines and print vs. online and submission fees and submission managers and simultaneous submissions. There is fear—fear of rejection, fear of publication (“Oh my gosh, my mom/son/ex is going to read this!”), fear of doing the wrong thing.
Continue reading “THE ART OF THE LITERARY SUBMISSION: A Beginners’ Guide to Submitting Your Work”
by Jason Hill
Spalding MFA Coordinator of Student Services and Marketing
MFA in Writing, Spalding University
The truth is, I agreed to do a blog entry almost without thinking.
Katy Yocom suggested I write something on Denis Johnson, who died shortly before the start of the Spring 2017 residency in Louisville. No doubt she’d heard me and others talking during residency about his recent death, and because I opened my big mouth during the closing faculty and staff meeting to suggest that faculty looking for post subjects could turn to current writing-related events like Hulu’s premier of A Handmaid’s Tale or Johnson’s death. There are a lot of writers I admire, and nearly as many that I’ve stolen from as I try to craft my own style. But there are very few writers whose use of language and approach to their subjects has given me as much motivation for close study as Johnson. Continue reading “YOU START OUT CONFUSED & END UP MYSTIFIED: An appreciation of Denis Johnson”