Seeing your name in print is exciting. Seeing your name in print beside your published work is even better. But where to start? There are so many journals in existence, deciding which one is the best fit for your work can feel like drinking from a firehose. There are reading periods and closed reading periods and themed issues and page count guidelines and print vs. online and submission fees and submission managers and simultaneous submissions. There is fear—fear of rejection, fear of publication (“Oh my gosh, my mom/son/ex is going to read this!”), fear of doing the wrong thing.
Continue reading “THE ART OF THE LITERARY SUBMISSION: A Beginners’ Guide to Submitting Your Work”
by Jason Hill
Spalding MFA Coordinator of Student Services and Marketing
MFA in Writing, Spalding University
The truth is, I agreed to do a blog entry almost without thinking.
Katy Yocom suggested I write something on Denis Johnson, who died shortly before the start of the Spring 2017 residency in Louisville. No doubt she’d heard me and others talking during residency about his recent death, and because I opened my big mouth during the closing faculty and staff meeting to suggest that faculty looking for post subjects could turn to current writing-related events like Hulu’s premier of A Handmaid’s Tale or Johnson’s death. There are a lot of writers I admire, and nearly as many that I’ve stolen from as I try to craft my own style. But there are very few writers whose use of language and approach to their subjects has given me as much motivation for close study as Johnson. Continue reading “YOU START OUT CONFUSED & END UP MYSTIFIED: An appreciation of Denis Johnson”
Many people want to know, “What does an MFA in Writing at Spalding get me?” So we asked our alums of all ages and from all over the world to help us out.
Forty-eight graduates, 19 men and 29 women, starting with the first class of 2003 to the present, responded to our open question: How did the Spalding MFA in Writing low-residency program impact you professionally, creatively, and personally? Their responses extol and probe both surprising and not surprising reasons to pursue an MFA in general, and a Spalding MFA in particular. Continue reading “WHY DO AN MFA IN WRITING, AND WHY AT SPALDING UNIVERSITY?”
(originally published 2012)
I’ve heard that one of the great parts of being a dad is that you can recapture what it’s like to be a kid again. Relive your childhood.
But I don’t think my childhood ever ended. Not really. Not where it counts. I think it’s more like watching how my childhood got started. Because the processes I developed back then are still the processes I use right now.
Continue reading “AN INFINITELY RECURSIVE CHILDHOOD”
Here’s what Spalding MFA students, alumni, faculty, and staff have been publishing, producing, and doing since our last update!
Continue reading “LIFE OF A WRITER: April 2017”
I’m a big fan of ambiguous endings. I have no problem with being left in the middle of things in the last scene. In fact, I find pleasure in lingering with a range of possibilities after the final page is turned. I have no quarrel with a novel or memoir that closes with its main character teetering on the brink of change—rather than safely ensconced on the other side of it. Continue reading “NO EXIT: When Endings Disappoint”
By Katy Yocom
Spalding MFA Associate Administrative Director
The Spalding low-residency MFA in Writing program is gearing up for its spring residency, May 26-June 4 in Louisville, Kentucky. The residency features dozens of special events and sessions, acclaimed guest speakers, faculty craft lectures, and a special performance by the nationally acclaimed Louisville Leopard Percussionists.
In addition, the MFA program is pleased to welcome a new faculty member in writing for children and young adults, as well as a special guest workshop leader in poetry.
Here’s what our Spalding MFA students, alumni, faculty, and staff have been publishing, producing, and doing since our last update!
— STUDENTS —
Continue reading “LIFE OF A WRITER: February 2017”
For Spalding MFAers who write creative nonfiction, the George Getschow Scholarship provides funding to attend the 2017 Mayborn Literary Nonfiction Conference, July 21-23, in Grapevine, Texas.
The $800 scholarship is available to Spalding MFA students and alums, regardless of area of concentration. The scholarship is made possible by the MFA program and a generous donation from an anonymous MFA alum. Others are welcome to make a tax-deductible donation to the fund. Continue reading “GEORGE GETSCHOW SCHOLARSHIP FOR MAYBORN CONFERENCE BENEFITS SPALDING MFA STUDENTS, ALUMS”
“…reminiscing about my origins as a writer is not just a nostalgic act, but one that helps me to keep sight of the reasons why I write.”
I’m surprised by people who think of writing as drudgery, an onerous task we take on to punish ourselves only because of our unforgiving work ethics. For me, the need to write goes back to my childhood, when writing was just another game, like playacting or drawing. Writing, when I was young, was a pleasure, a refuge, solace, a chance to play, with no need to demand perfection from myself, and writing as an adult, is, much of the time, an attempt to recapture that experience. Continue reading “GROWING UP WRITING”