CUT, PASTE, REPEAT: Collage Writing

by Dianne Aprile
Spalding MFA Faculty, Creative Nonfiction

…the collage form encourages us to write in a distilled, imagistic, unconsciously meaningful way…

A year or so ago, I started thinking about teaching writing classes at an art center near where we live on the east side of Seattle. At first, I thought I’d like to lead ekphrastic writing classes, making use of the art exhibited at the Kirkland Arts Center, which draws to its gallery the work of artists from all over the country—and beyond. Continue reading “CUT, PASTE, REPEAT: Collage Writing”

WRITING PLACES

by Julie Brickman
Spalding MFA Faculty, Fiction

“This is what makes place so vital: its tie to character, tone, experience, change; its influence on the characters; its reflection of the unfolding riches of the story. Place is woven into the fabric of experience.”

I always love descriptions of place. Often, to get myself rolling on writing, I look out my window and describe what the landscape looks like at that moment of the day. Today, the mist from the ocean has grayed the air all day. Early this morning, my house, which sits on the edge of a canyon about a mile from the ocean, was enveloped by mist so thick that neither tree nor earth nor neighbor’s house was visible, nor even a bird in flight. Continue reading “WRITING PLACES”