By Roy Hoffman, Spalding MFA Fiction and Creative Nonfiction Faculty
Whenever I visit New York City one of my pleasures is attending theater. In the brisk days of late February this year, I had the delight of scurrying out of the cold into two venues where works by friends took away the chill and replaced it with dramatic heat unfolding in front of me. Continue reading “Three Friends, Three Stages, NYC”
By Eleanor Morse, Spalding Low-Residency MFA Fiction Faculty
Last week, the day after seventeen students were killed in a shooting at Marjory Stoneman Douglas High School, I received an anguished email from one of my students, which began like this: “Yesterday was a day of terrible loss…and writing or creating feels pointless to me, at this time. I’m just reaching out…How do you keep going on days like this? I am struggling…the lofty notions of making the world a better place through storytelling are just falling flat today.” Continue reading “Why Write? Bearing the Weight of Fear in the World.”
Ellyn Lichvar, Managing Editor, The Louisville Review
Coordinator, Spalding University MFA in Writing
Seeing your name in print is exciting. Seeing your name in print beside your published work is even better. But where to start? There are so many journals in existence, deciding which one is the best fit for your work can feel like drinking from a firehose. There are reading periods and closed reading periods and themed issues and page count guidelines and print vs. online and submission fees and submission managers and simultaneous submissions. There is fear—fear of rejection, fear of publication (“Oh my gosh, my mom/son/ex is going to read this!”), fear of doing the wrong thing.
by Jody Lisberger
Spalding MFA faculty, Fiction
Many people want to know, “What does an MFA in Writing at Spalding get me?” So we asked our alums of all ages and from all over the world to help us out.
Forty-eight graduates, 19 men and 29 women, starting with the first class of 2003 to the present, responded to our open question: How did the Spalding MFA in Writing low-residency program impact you professionally, creatively, and personally? Their responses extol and probe both surprising and not surprising reasons to pursue an MFA in general, and a Spalding MFA in particular. Continue reading “WHY DO AN MFA IN WRITING, AND WHY AT SPALDING UNIVERSITY?”
Leah Henderson, who graduated from the Spalding MFA program in 2011 with a concentration on Writing for Children and Young Adults, has just launched her first middle grade novel, One Shadow on the Wall, which takes place in Senegal and centers on an eleven-year-old boy named Mor. After Mor’s parents die, he becomes head of household and must keep his two younger sisters safe. But it is not easy for someone so young to shoulder such a burden. And the world can be very cruel. The book is a gripping read that explores themes of loyalty, faith, and redemption. I recently had the pleasure of speaking with Leah about her first (surely of many!) publications. Continue reading “PATIENCE, PROCESS, PUBLICATION: Lesléa Newman & Leah Henderson”
by Larry Brenner
Spalding MFA faculty, Screenwriting & Playwriting
(originally published 2012)
I’ve heard that one of the great parts of being a dad is that you can recapture what it’s like to be a kid again. Relive your childhood.
But I don’t think my childhood ever ended. Not really. Not where it counts. I think it’s more like watching how my childhood got started. Because the processes I developed back then are still the processes I use right now.
By Sam Zalutsky
Spalding MFA faculty, Screenwriting
Right now I’m finishing up Seaside, a microbudget feature which I wrote, directed, and produced. I’m so eager and excited for people to see it. But the filmmaking process is definitely a marathon and not a sprint. Maybe it’s a little like what happens when you are waiting for a book to be published. Postproduction can be particularly challenging. The immediacy and control of pre-production and shooting are replaced with a much slower and less intense schedule. And sometimes it feels like nothing is happening. Argh! Continue reading “LIVING IN LIMBO: How to Stay Focused & Motivated on Large Projects”
by Roy Hoffman
Spalding MFA faculty, fiction & creative nonfiction
When you pack your bags for your next trip, whether a few hours from home or as far away, to an American traveler, as Buenos Aires, Rome, or Edinburgh, take along your travel writer’s sensibility. You’ll already have the tools in place—pen and paper, laptop and camera—so making a record of where you go, what you see, eat, and learn, is not a practical but perceptual challenge. Our senses become heightened by the excitement of travel, the allure of different landscapes, languages and foods. As writers we note it all in colorful detail in our journals and e-mails home. But how can we shape this material into articles or personal essays for a larger audience? Here are some tips—and questions—to keep in mind. Continue reading “REFLECTIONS ON TRAVEL WRITING”
by Gabriel Jason Dean
Spalding MFA faculty, Screenwriting
Spalding Screenwriting student, Cassie Brower, is currently the Director of Original Programming at Disney Junior in Los Angeles. Cassie has overseen the hit shows Sofia the First, The Lion Guard, Jake and the Never Land Pirates, Mickey and the Roadster Racers, Sheriff Callie’s Wild West, as well as several short series. I had the pleasure of working with Cassie as her mentor during her first semester at Spalding. We inevitably discussed time-management and daily practice during our time together. And since those are topics I’m asked about by almost all the Spalding students I mentor, I reckoned a blog post was in order. But rather than just espousing what works for me, I thought it might also be beneficial to hear from Cassie, arguably one of Spalding’s busiest students. Continue reading “TAPPING INTO THE “FOREVER EMPTY”: A Conversation between Mentor & Mentee”