By Nancy McCabe, Spalding Low-Residency MFA Creative Non-Fiction/Fiction Faculty
When my daughter was in sixth grade, she was assigned an essay proposing a new holiday honoring an under-recognized historical figure. She thought and thought about this, considering favorite writers, political figures, ordinary people. Continue reading “My Role Model Is a Roll of Toilet Paper: Writing with Passion and the Limits of Machines”
By Charlie Schulman, Spalding Low-Residency MFA Dramatic Writing Faculty
This is the first of an ongoing series that will report and promote the accomplishments of Spalding University’s MFA Dramatic Writing alums and current students. In this edition we will be featuring four MFA Playwriting alums who are making contributions to the field by creating theater-making opportunities for themselves and others.
This is at the heart of the ethos of the Spalding program: the writer as provocateur who builds and sustains community while creating opportunity for themselves and others.
Continue reading “The Little MFA Dramatic Writing Program That Could – Part 1”
EXCITING UPDATES FROM SPALDING MFA STUDENTS, ALUMNI, FACULTY, AND STAFF ON PUBLISHING, PRODUCING, AND OTHER DOINGS – ENJOY! Continue reading “Life of a Writer: Late Summer Edition”
By Karen Leslie (Chronister), Spalding MFA Alumni
In the current era where arts and humanities programs are threatened with a hard shove to the sidelines, The Southern Festival of Books: A Celebration of the Written Word is a bold and bright voice booming atop the Nashville landscape. For three days in October, the SFB gathers together book lovers and the nation’s and region’s prominent writers, offering dozens of panels on the writing arts in downtown Nashville. Spalding will debut a booth this year with program advocacy and honoring our writers in mind, including faculty member Silas House and his recent novel, Southernmost, and alum Charles Dodd White with In the House of Wilderness, both featured on the main program, as well as faculty member Jeanie Thompson and alum Juyanne James, who are featured in panel sessions. Continue reading “Join Spalding at the Southern Festival of Books, Nashville, Oct. 12-14”
By Lia Eastep, Spalding University Low-Residency MFA Alum
I make my living as a full-time senior copywriter in the marketing department (think internal ad agency) of a large educational publisher. About a year ago in a weekly team meeting, our videographer shared a video he’d recently completed. The discussion that followed surprised me. Continue reading “A Spalding MFA lesson pays off in the workplace”
EXCITING UPDATES FROM SPALDING MFA STUDENTS, ALUMNI, FACULTY, AND STAFF ON PUBLISHING, PRODUCING, AND OTHER DOINGS – ENJOY!
Continue reading “Life of a Writer”
By Roy Hoffman, Spalding MFA Fiction and Creative Nonfiction Faculty
Gabriel Jason Dean
Whenever I visit New York City one of my pleasures is attending theater. In the brisk days of late February this year, I had the delight of scurrying out of the cold into two venues where works by friends took away the chill and replaced it with dramatic heat unfolding in front of me. Continue reading “Three Friends, Three Stages, NYC”
By Eleanor Morse, Spalding Low-Residency MFA Fiction Faculty
Burdened Children (1930), Paul Klee
Last week, the day after seventeen students were killed in a shooting at Marjory Stoneman Douglas High School, I received an anguished email from one of my students, which began like this: “Yesterday was a day of terrible loss…and writing or creating feels pointless to me, at this time. I’m just reaching out…How do you keep going on days like this? I am struggling…the lofty notions of making the world a better place through storytelling are just falling flat today.” Continue reading “Why Write? Bearing the Weight of Fear in the World.”
Seeing your name in print is exciting. Seeing your name in print beside your published work is even better. But where to start? There are so many journals in existence, deciding which one is the best fit for your work can feel like drinking from a firehose. There are reading periods and closed reading periods and themed issues and page count guidelines and print vs. online and submission fees and submission managers and simultaneous submissions. There is fear—fear of rejection, fear of publication (“Oh my gosh, my mom/son/ex is going to read this!”), fear of doing the wrong thing.
Continue reading “THE ART OF THE LITERARY SUBMISSION: A Beginners’ Guide to Submitting Your Work”
Many people want to know, “What does an MFA in Writing at Spalding get me?” So we asked our alums of all ages and from all over the world to help us out.
Forty-eight graduates, 19 men and 29 women, starting with the first class of 2003 to the present, responded to our open question: How did the Spalding MFA in Writing low-residency program impact you professionally, creatively, and personally? Their responses extol and probe both surprising and not surprising reasons to pursue an MFA in general, and a Spalding MFA in particular. Continue reading “WHY DO AN MFA IN WRITING, AND WHY AT SPALDING UNIVERSITY?”