Life of a Writer: Late Summer Edition

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EXCITING UPDATES FROM SPALDING MFA STUDENTS, ALUMNI, FACULTY, AND STAFF ON PUBLISHING, PRODUCING, AND OTHER DOINGS – ENJOY! Continue reading “Life of a Writer: Late Summer Edition”

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Join Spalding at the Southern Festival of Books, Nashville, Oct. 12-14

By Karen Leslie (Chronister), Spalding MFA Alumni

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In the current era where arts and humanities programs are threatened with a hard shove to the sidelines, The Southern Festival of Books: A Celebration of the Written Word is a bold and bright voice booming atop the Nashville landscape. For three days in October, the SFB gathers together book lovers and the nation’s and region’s prominent writers, offering dozens of panels on the writing arts in downtown Nashville. Spalding will debut a booth this year with program advocacy and honoring our writers in mind, including faculty member Silas House and his recent novel, Southernmost, and alum Charles Dodd White with In the House of Wilderness, both featured on the main program, as well as faculty member Jeanie Thompson and alum Juyanne James, who are featured in panel sessions. Continue reading “Join Spalding at the Southern Festival of Books, Nashville, Oct. 12-14”

A Spalding MFA lesson pays off in the workplace

By Lia Eastep, Spalding University Low-Residency MFA Alum

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I make my living as a full-time senior copywriter in the marketing department (think internal ad agency) of a large educational publisher. About a year ago in a weekly team meeting, our videographer shared a video he’d recently completed. The discussion that followed surprised me. Continue reading “A Spalding MFA lesson pays off in the workplace”

Three Friends, Three Stages, NYC

By Roy Hoffman, Spalding MFA Fiction and Creative Nonfiction Faculty

Whenever I visit New York City one of my pleasures is attending theater. In the brisk days of late February this year, I had the delight of scurrying out of the cold into two venues where works by friends took away the chill and replaced it with dramatic heat unfolding in front of me. Continue reading “Three Friends, Three Stages, NYC”

Why Write? Bearing the Weight of Fear in the World.

By Eleanor Morse, Spalding Low-Residency MFA Fiction Faculty
Burdened Children 1930 by Paul Klee 1879-1940

Burdened Children (1930), Paul Klee

Last week, the day after seventeen students were killed in a shooting at Marjory Stoneman Douglas High School, I received an anguished email from one of my students, which began like this: “Yesterday was a day of terrible loss…and writing or creating feels pointless to me, at this time. I’m just reaching out…How do you keep going on days like this? I am struggling…the lofty notions of making the world a better place through storytelling are just falling flat today.” Continue reading “Why Write? Bearing the Weight of Fear in the World.”

THE ART OF THE LITERARY SUBMISSION: A Beginners’ Guide to Submitting Your Work

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Ellyn Lichvar, Managing Editor, The Louisville Review
Coordinator, Spalding University MFA in Writing

Louisville Review
Seeing your name in print is exciting. Seeing your name in print beside your published work is even better. But where to start? There are so many journals in existence, deciding which one is the best fit for your work can feel like drinking from a firehose. There are reading periods and closed reading periods and themed issues and page count guidelines and print vs. online and submission fees and submission managers and simultaneous submissions. There is fear—fear of rejection, fear of publication (“Oh my gosh, my mom/son/ex is going to read this!”), fear of doing the wrong thing.

 

Continue reading “THE ART OF THE LITERARY SUBMISSION: A Beginners’ Guide to Submitting Your Work”

WHY DO AN MFA IN WRITING, AND WHY AT SPALDING UNIVERSITY?

by Jody Lisberger
Spalding MFA faculty, Fiction

Many people want to know, “What does an MFA in Writing at Spalding get me?” So we asked our alums of all ages and from all over the world to help us out.

Forty-eight graduates, 19 men and 29 women, starting with the first class of 2003 to the present, responded to our open question: How did the Spalding MFA in Writing low-residency program impact you professionally, creatively, and personally? Their responses extol and probe both surprising and not surprising reasons to pursue an MFA in general, and a Spalding MFA in particular. Continue reading “WHY DO AN MFA IN WRITING, AND WHY AT SPALDING UNIVERSITY?”

PATIENCE, PROCESS, PUBLICATION: Lesléa Newman & Leah Henderson

by Lesléa Newman
Spalding MFA faculty, Writing for Children and Young Adults

Leah HendersonLeah Henderson, who graduated from the Spalding MFA program in 2011 with a concentration on Writing for Children and Young Adults, has just launched her first middle grade novel, One Shadow on the Wall, which takes place in Senegal and centers on an eleven-year-old boy named Mor. OSOTW CoverAfter Mor’s parents die, he becomes head of household and must keep his two younger sisters safe. But it is not easy for someone so young to shoulder such a burden. And the world can be very cruel. The book is a gripping read that explores themes of loyalty, faith, and redemption. I recently had the pleasure of speaking with Leah about her first (surely of many!) publications. Continue reading “PATIENCE, PROCESS, PUBLICATION: Lesléa Newman & Leah Henderson”

AN INFINITELY RECURSIVE CHILDHOOD

by Larry Brenner
Spalding MFA faculty, Screenwriting & Playwriting

(originally published 2012)

IMG_6846I’ve heard that one of the great parts of being a dad is that you can recapture what it’s like to be a kid again. Relive your childhood.

But I don’t think my childhood ever ended. Not really. Not where it counts. I think it’s more like watching how my childhood got started. Because the processes I developed back then are still the processes I use right now.

Continue reading “AN INFINITELY RECURSIVE CHILDHOOD”