I remember the first time I heard a story told for a live audience. I was a young girl, maybe ten or eleven, not yet in charge of my logistical destiny. It was fall. My parents had packed me and my brother into the car to head to some kind of Halloween happening.
By Nancy McCabe, Spalding School of Writing Creative Nonfiction and Fiction Faculty
For years, as a single parent with simultaneous full-time and part-time jobs, I was always on a tight schedule, determined to set aside an hour or two each day to write. Then, a couple of years ago, my daughter went off to college. With fewer errands to run and meals to cook and needs to attend to, after years of highly structured schedules and extreme discipline, I was ready to take a more relaxed approach to my work. But my luxurious illusion of unlimited time was just that—an illusion—and I’m still struggling to settle into a new writing routine.
By Katy Yocom, Spalding School of Writing Associate Director of Communications and Alumni Relations
This is the time of year when students and alums start sending me GIFs of impatient cats, with captions like “Me watching my email for news about Paris.”
I know you’re eager to make your plans. I swear we’re not holding out on you; we’re just putting the final touches on the residency. And in that spirit, even though final details are still in progress, here’s what I can tell you.
Two cutting-edge areas of creative writing—writing for television and writing for tabletop games—gain special focus in two unique workshops offered May 22-31 during the Spring 2020 residency of Spalding University’s School of Creative and Professional Writing.
By Debra Kang Dean, Spalding School of Writing Poetry Faculty
For any circuit the electrical current is directly proportional to the voltage and is inversely proportional to the resistance.
As a consequence of my bewilderingly high scores in the electronics section of the battery of tests I had to take before enlisting in the Air Force, I was recruited into the field of ground radio repair. It turned out to be a poor match since I never really got beyond being able to read schematics; I console myself by believing that one need also have mechanical sense to do well, and my scores on that part of the test had been dismal.
By Robin Lippincott, Spalding School of Writing Fiction & Creative Nonfiction Faculty
is my third attempt at writing this blog post, which gives you some context for
what follows. The first two efforts were completely different and unrelated, on
subjects having nothing to do with this one. Finally, I realized there was
really only one thing I wanted to write about here; it was so obvious that I’d
missed it entirely.
By Elaine Orr, Spalding School of Writing Fiction and Creative Nonfiction Faculty
I recently had the good fortune of a one-week writing residency at the Virginia Center for the Creative Arts, not a long retreat, but long enough to crack open my novel-in-progress, roam around in it and warm it up. Anyone who has written a novel knows that if you leave it too long, it goes cold, and it’s frightening to go back in. It’s like entering a winter abode with no means of heat. And who knows if things have gotten worse while you were away. Maybe the furniture is shabbier than you remember, the cupboards barer, the wallpaper flapping off the walls. It really can be like entering a haunted house.
EXCITING NEWS & UPDATES FROM STUDENTS, ALUMNI, FACULTY & STAFF!
Jason Cooper (PW) launched his new theatre company, The Chicken Coop, on September 27th here in Louisville, Kentucky. More than just a theatre company, The Chicken Coop strives to provide a variety of entertainment offerings and to create a place for artists and audiences to come together to celebrate, be inspired and simply have a great time.