Books for the Dented Self

Neela Vaswani, Spalding MFA Faculty, Fiction

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I would venture that most writers find reading healing. Find solace in words and craft and the quiet of turning pages. I usually feel that way. But at various points in my life, when I’ve been in need of healing—from trauma or loss or illness—I’ve found myself incapable of reading. I can’t get my eyes to move horizontally across sentences. And the literary fiction I normally find comforting feels inedible. Continue reading “Books for the Dented Self”

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THE ART OF THE LITERARY SUBMISSION: A Beginners’ Guide to Submitting Your Work

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Ellyn Lichvar, Managing Editor, The Louisville Review
Coordinator, Spalding University MFA in Writing

Louisville Review
Seeing your name in print is exciting. Seeing your name in print beside your published work is even better. But where to start? There are so many journals in existence, deciding which one is the best fit for your work can feel like drinking from a firehose. There are reading periods and closed reading periods and themed issues and page count guidelines and print vs. online and submission fees and submission managers and simultaneous submissions. There is fear—fear of rejection, fear of publication (“Oh my gosh, my mom/son/ex is going to read this!”), fear of doing the wrong thing.

 

Continue reading “THE ART OF THE LITERARY SUBMISSION: A Beginners’ Guide to Submitting Your Work”

WHY DO AN MFA IN WRITING, AND WHY AT SPALDING UNIVERSITY?

by Jody Lisberger
Spalding MFA faculty, Fiction

Many people want to know, “What does an MFA in Writing at Spalding get me?” So we asked our alums of all ages and from all over the world to help us out.

Forty-eight graduates, 19 men and 29 women, starting with the first class of 2003 to the present, responded to our open question: How did the Spalding MFA in Writing low-residency program impact you professionally, creatively, and personally? Their responses extol and probe both surprising and not surprising reasons to pursue an MFA in general, and a Spalding MFA in particular. Continue reading “WHY DO AN MFA IN WRITING, AND WHY AT SPALDING UNIVERSITY?”

PATIENCE, PROCESS, PUBLICATION: Lesléa Newman & Leah Henderson

by Lesléa Newman
Spalding MFA faculty, Writing for Children and Young Adults

Leah HendersonLeah Henderson, who graduated from the Spalding MFA program in 2011 with a concentration on Writing for Children and Young Adults, has just launched her first middle grade novel, One Shadow on the Wall, which takes place in Senegal and centers on an eleven-year-old boy named Mor. OSOTW CoverAfter Mor’s parents die, he becomes head of household and must keep his two younger sisters safe. But it is not easy for someone so young to shoulder such a burden. And the world can be very cruel. The book is a gripping read that explores themes of loyalty, faith, and redemption. I recently had the pleasure of speaking with Leah about her first (surely of many!) publications. Continue reading “PATIENCE, PROCESS, PUBLICATION: Lesléa Newman & Leah Henderson”

WHAT WE TALK ABOUT WHEN WE TALK ABOUT INFLUENCE

by K. L. Cook
Spalding MFA Faculty, Fiction

IMG_5B702B6CCEA7-1As both a writer and teacher, I’ve been obsessed with the question of influence, both nonliterary and literary. It’s informed my scholarly work as well as my fiction and nonfiction, not to mention the kinds of courses I’ve designed, such as Forms of Fiction, Sudden Fiction, Short Story Cycle, Literature of the American Dream, Shakespeare, The American West in Film and Literature, and Family Systems in Film and Literature. A couple of years ago, I taught a special topics course for MFA students at Iowa State University entitled The Ecstasy of Influence, in which the students and I explored what we talk about when we talk about literary influence. It is one of my favorite courses—and one that helped me reshape the kinds of questions I now focus on for most of my other creative writing and literature courses. Continue reading “WHAT WE TALK ABOUT WHEN WE TALK ABOUT INFLUENCE”

EMBRACING THE OUTLINE: Or How I Learned to Stop Worrying & Love the Spreadsheet

by John Pipkin
Spalding MFA faculty, Fiction

pipkinblogquoteThe outline is one of the most misunderstood parts of the creative process. For many writers, the very idea of outlining seems antithetical to creativity itself. However, this misperception overlooks the creative liberation that can come from outlining (and re-outlining) your project as it develops. I write novels that involve multiple characters with multiple interwoven storylines unfolding at different times and places because these are the kinds of stories that I like to read. But these narratives can easily fall to chaos, and so I rely heavily on outlining my work before, during, and after each draft. I outline everything that I write, long and short, complex and simple.   Continue reading “EMBRACING THE OUTLINE: Or How I Learned to Stop Worrying & Love the Spreadsheet”

NO EXIT: When Endings Disappoint

 

By Dianne Aprile
Spalding MFA faculty, Creative Nonfiction

I’m a big fan of ambiguous endings. I have no problem with being left in the middle of things in the last scene. In fact, I find pleasure in lingering with a range of possibilities after the final page is turned. I have no quarrel with a novel or memoir that closes with its main character teetering on the brink of change—rather than safely ensconced on the other side of it. Continue reading “NO EXIT: When Endings Disappoint”

SPECIAL EVENTS AT THE SPRING 2017 RESIDENCY

By Katy Yocom
Spalding MFA Associate Administrative Director

The Spalding low-residency MFA in Writing program is gearing up for its spring residency, May 26-June 4 in Louisville, Kentucky. The residency features dozens of special events and sessions, acclaimed guest speakers, faculty craft lectures, and a special performance by the nationally acclaimed Louisville Leopard Percussionists.

In addition, the MFA program is pleased to welcome a new faculty member in writing for children and young adults, as well as a special guest workshop leader in poetry.

Continue reading “SPECIAL EVENTS AT THE SPRING 2017 RESIDENCY”

WRITING WHILE LIVING

By Leslie Daniels
Spalding MFA faculty, fiction
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I am struck by how many of my students write beautifully in the midst of very dense lives. Some are working extremely hard on other jobs, some have young families, or run their own businesses, or care for elderly parents.

I ask them when they write. Some get up at four AM, or write after everyone has gone to sleep. Some write on their lunch hours. Continue reading “WRITING WHILE LIVING”