Special Events at the Spalding MFA Fall Residency

By Katy Yocom, Spalding MFA Associate Directorgoodbones

Spalding MFA students will put their learning into practice in a new way at the Fall 2018 residency, November 9-18 in Louisville.   Continue reading “Special Events at the Spalding MFA Fall Residency”

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The Story outside the Story in Totem: America*

By Debra Kang Dean, Spalding Low-Residency MFA Poetry Faculty
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Paul Gauguin – “Where Do We Come From? What Are We? Where Are We Going?”

When the Hawaiian Renaissance, a cultural revitalization movement, began in 1970 in my home state, I was a sophomore at a large public high school attended by students from the University district of Manoa Valley and two others between which I lived: the largely middle-class Asian district of Pauoa Valley and Papakolea, an area referred to as Hawaiian “homestead land.” A few months into the school year, I found myself in the company of an ethnically diverse group brought together by a common interest: track and field. Outside the schoolyard, Japanese investment and tourism were on the rise, and, a couple of years later, Ferdinand Marcos would declare martial law in the Philippines, which would bring an influx of Filipinos. I understood only in retrospect how this confluence of events had knocked me out of my comfort zone in the Islands. Continue reading “The Story outside the Story in Totem: America*”

Whitman, Borges, and Ironic Detachment

By Jeremy Paden, Spalding Low-Residency MFA Poetry & Translation Faculty

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At residency this past May, I lectured on the tradition of response poems to Walt Whitman. The briefest of overviews concerning literary imitation was provided; and, we discussed how the response poem to Whitman seems to be unique in the history of literature. Not only are there a large number of poems that address Whitman as literary predecessor, countless poets write in a vein they consider to be Whitmanic. Continue reading “Whitman, Borges, and Ironic Detachment”

What Cross-Genre Exploration looks like for Spalding MFA Students

By Katy Yocom, Spalding MFA Associate Director

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Cross-genre exploration has been a hallmark of the Spalding low-residency MFA in Writing curriculum since the program was launched in 2001. But while many students arrive eager to explore across genres, others aren’t so sure. “I want to be able to focus on my own area,” they’ll say.

Fear not, trepidatious writers. You absolutely will. You can spend every single residency and independent study in your own area, if you want. Continue reading “What Cross-Genre Exploration looks like for Spalding MFA Students”

SPALDING MFA OFFERS BOOK-LENGTH POETRY MANUSCRIPT WORKSHOP AT THE FALL 2018 RESIDENCY, NOV 9-18

By Kathleen Driskell, Program Director, Poetry Faculty Member

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To date I’ve published four full-length books of poetry, and while it’s thrilling to hold one of my new books in my hands, one of my truly favorite moments happens when I realize my heap of new poems is high enough to begin thinking about how they should be collected into a manuscript. Continue reading “SPALDING MFA OFFERS BOOK-LENGTH POETRY MANUSCRIPT WORKSHOP AT THE FALL 2018 RESIDENCY, NOV 9-18”

Writing Rooms

By Maureen Morehead, Spalding MFA Poetry Faculty
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George Bernard Shaw’s Writing Shed

 

For twenty years I have written in the first floor family room of my house. I have an office on the second. It’s a spacious room with manila-colored walls, a vaulted ceiling, a large palladium window, an antique desk, a trestle table with baskets and writing magazines, a magnifying mirror I use for putting on makeup, two red chairs, a filing cabinet, a printer, and a black three-drawer bow-front dresser in which I store paper and envelopes, folders, paper clips, staples, rubber bands—the stuff of a writer. Continue reading “Writing Rooms”