I’m a big fan of ambiguous endings. I have no problem with being left in the middle of things in the last scene. In fact, I find pleasure in lingering with a range of possibilities after the final page is turned. I have no quarrel with a novel or memoir that closes with its main character teetering on the brink of change—rather than safely ensconced on the other side of it. Continue reading “NO EXIT: When Endings Disappoint”
When you pack your bags for your next trip, whether a few hours from home or as far away, to an American traveler, as Buenos Aires, Rome, or Edinburgh, take along your travel writer’s sensibility. You’ll already have the tools in place—pen and paper, laptop and camera—so making a record of where you go, what you see, eat, and learn, is not a practical but perceptual challenge. Our senses become heightened by the excitement of travel, the allure of different landscapes, languages and foods. As writers we note it all in colorful detail in our journals and e-mails home. But how can we shape this material into articles or personal essays for a larger audience? Here are some tips—and questions—to keep in mind. Continue reading “REFLECTIONS ON TRAVEL WRITING”
Here’s what our Spalding MFA students, alumni, faculty, and staff have been publishing, producing, and doing since our last update!
— STUDENTS —
Continue reading “LIFE OF A WRITER: February 2017”
For Spalding MFAers who write creative nonfiction, the George Getschow Scholarship provides funding to attend the 2017 Mayborn Literary Nonfiction Conference, July 21-23, in Grapevine, Texas.
The $800 scholarship is available to Spalding MFA students and alums, regardless of area of concentration. The scholarship is made possible by the MFA program and a generous donation from an anonymous MFA alum. Others are welcome to make a tax-deductible donation to the fund. Continue reading “GEORGE GETSCHOW SCHOLARSHIP FOR MAYBORN CONFERENCE BENEFITS SPALDING MFA STUDENTS, ALUMS”
“…reminiscing about my origins as a writer is not just a nostalgic act, but one that helps me to keep sight of the reasons why I write.”
I’m surprised by people who think of writing as drudgery, an onerous task we take on to punish ourselves only because of our unforgiving work ethics. For me, the need to write goes back to my childhood, when writing was just another game, like playacting or drawing. Writing, when I was young, was a pleasure, a refuge, solace, a chance to play, with no need to demand perfection from myself, and writing as an adult, is, much of the time, an attempt to recapture that experience. Continue reading “GROWING UP WRITING”
by Dianne Aprile
Spalding MFA Faculty, Creative Nonfiction
…the collage form encourages us to write in a distilled, imagistic, unconsciously meaningful way…
A year or so ago, I started thinking about teaching writing classes at an art center near where we live on the east side of Seattle. At first, I thought I’d like to lead ekphrastic writing classes, making use of the art exhibited at the Kirkland Arts Center, which draws to its gallery the work of artists from all over the country—and beyond. Continue reading “CUT, PASTE, REPEAT: Collage Writing”
“Good memoir is, of course, the opposite of self-absorption. While it seeks out the unique aspects of the author’s experience, it also links to bigger issues and taps into the experience of readers, offering perspective and insight.”
“She’s just writing for therapy,” we sometimes say, meaning that the work seems self-indulgent or self-pitying or self-absorbed. But using writing to merely wallow or vent is not, according to research, all that therapeutic. It is writing to find meaning that, it turns out, boosts immune function and promotes healing. Continue reading “WRITING AS THERAPY”